THE ART OF BOB ORSILLO

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The Lady Has A Gun

November 27th, 2024

The Lady Has A Gun


The Lady Has a Gun by Bob Orsillo
In the dimly lit room, shadows danced on the walls, creating an atmosphere thick with tension and mystery. The only source of light was a single, flickering bulb hanging from the ceiling, casting a harsh glow on the polished surface of the table. On this table lay a revolver, its metallic surface gleaming ominously in the light. The revolver was a classic piece, with a long barrel and a textured grip that suggested it had seen its fair share of action. It was a weapon that commanded respect and fear in equal measure.
Behind the table, partially shrouded in darkness, stood a figure. The person was dressed in a sharp, tailored suit, the collar of the shirt peeking out crisply from beneath the jacket. A wide-brimmed hat cast a shadow over the face, obscuring the features and adding to the air of mystery. The figure's posture was relaxed yet alert, a silent sentinel watching over the scene.
The revolver on the table was not just any gun; it was a Smith & Wesson  a powerful firearm known for its accuracy and stopping power. The gun had a storied history, having been used in numerous high-stakes situations. It was a weapon that had been both a protector and a harbinger of doom, depending on whose hands it found itself in.
The lady, for it was indeed a woman behind the hat, had a reputation that preceded her. She was known in certain circles as "The Lady with the Gun," a moniker that spoke volumes about her skills and her past. She had been a detective, a bounty hunter, and at times, a vigilante. Her life had been a series of dangerous encounters and narrow escapes, each one leaving its mark on her soul.
Tonight, she found herself at a crossroads. The revolver on the table was both a reminder of her past and a symbol of the choices she had to make. She had been tracking a notorious criminal for months, a man who had eluded capture and left a trail of chaos in his wake. The hunt had taken its toll on her, both physically and mentally, but she was determined to see it through to the end.
As she stood there, contemplating her next move, memories of her past flashed through her mind. She remembered the first time she had held a gun, the weight of it in her hands, and the sense of power it had given her. She recalled the countless hours spent at the shooting range, honing her skills until she could hit a target with pinpoint accuracy. She thought of the friends she had lost along the way, and the enemies she had made.
The revolver on the table was more than just a tool; it was a part of her identity. It had been with her through thick and thin, a silent companion in her journey. But now, as she faced the biggest challenge of her career, she wondered if it was enough. The criminal she was after was cunning and ruthless, a master of deception who always seemed to be one step ahead.
She reached out and picked up the revolver, feeling the familiar weight in her hand. The cold metal was a stark contrast to the warmth of her skin, a reminder of the harsh realities of her world. She checked the cylinder, ensuring that it was loaded and ready for action. The click of the mechanism was a comforting sound, a promise of protection in the face of danger.
With a deep breath, she made her decision. She would confront the criminal, no matter the cost. She had come too far to turn back now. The revolver was her ally, her protector, and she would wield it with the skill and precision that had earned her the title of "The Lady with the Gun."
As she stepped out of the shadows and into the night, the revolver at her side, she knew that the path ahead would be fraught with peril. But she was ready. She was a warrior, a survivor, and she would not rest until justice was served. The lady had a gun, and she was not afraid to use it.

Lonely Highway from the Timeless Noir Collection

November 22nd, 2024

Lonely Highway from the Timeless Noir Collection

Lonely Highway black and white noir by Bob Orsillo.

The night was thick with the kind of darkness that seemed to swallow everything whole. The moon was a mere sliver in the sky, offering no solace to the lone figure standing on the deserted road. The gravel crunched underfoot as she shifted her weight, her eyes fixed on the distant glow of headlights piercing through the inky blackness.

She was a vision from another era, a ghost of the Roaring Twenties. Her dress, a shimmering cascade of beads and fringe, caught the faint light and sparkled like a thousand tiny stars. It was the kind of dress that spoke of jazz clubs and speakeasies, of nights filled with laughter and the clinking of champagne glasses. But here, on this lonely road, it seemed out of place, a relic of a forgotten time.

Her name was Evelyn, and she had a story to tell, though she wasn’t sure anyone would believe it. She had been a star once, the darling of the silver screen. But fame is a fickle friend, and the world had moved on, leaving her behind in a haze of forgotten memories and broken dreams. Tonight, she was running from something, or perhaps someone. The details were hazy, lost in the fog of fear and desperation that clouded her mind.

The car drew closer, its headlights growing brighter, casting long shadows that danced and flickered like specters. Evelyn raised her arm, her thumb jutting out in a gesture as old as the road itself. Hitchhiking was a gamble, but she had no other choice. She needed to get away, to put as much distance as possible between herself and the past that haunted her.

The car slowed, its engine purring like a contented cat. It was a sleek, black sedan, the kind that whispered of money and power. The window rolled down, and a face emerged from the darkness, illuminated by the soft glow of the dashboard lights. The man behind the wheel was handsome in a rugged sort of way, with a jawline that could cut glass and eyes that seemed to see right through her.

"Need a ride?" he asked, his voice smooth and velvety, like a jazz singer’s croon.

Evelyn hesitated for a moment, her instincts screaming at her to run, to hide. But where could she go? The road stretched out before her, an endless ribbon of uncertainty. She nodded, her voice barely a whisper. "Yes, please."

The man leaned over and opened the passenger door. "Hop in."

She slid into the seat, the leather cool against her skin. The door closed with a solid thunk, sealing her fate. The car began to move, the road slipping away beneath them. Evelyn glanced at the man, trying to read his intentions. There was something about him, something that made her uneasy. But she had no choice. She was in too deep now.

"Where are you headed?" he asked, his eyes never leaving the road.

"Anywhere but here," she replied, her voice trembling.

He nodded, as if he understood. "I can take you as far as the city. After that, you’re on your own."

Evelyn nodded, grateful for even that small mercy. The city was a labyrinth of possibilities, a place where she could disappear, start over. But as they drove, a nagging feeling gnawed at her. She couldn’t shake the sense that she was being watched, that the shadows held secrets she wasn’t meant to uncover.

The man glanced at her, a faint smile playing on his lips. "You look like you’ve seen a ghost."

"Maybe I have," she replied, her eyes fixed on the road ahead.

The night stretched on, the car slicing through the darkness like a knife. Evelyn’s mind raced, her thoughts a jumble of fear and hope. She didn’t know what awaited her in the city, but she knew she had to keep moving, to stay one step ahead of the past that threatened to consume her.

As the first light of dawn began to creep over the horizon, Evelyn allowed herself a small glimmer of hope. She was still alive, still fighting. And maybe, just maybe, she could outrun the shadows that chased her.

But in the world of noir, nothing is ever that simple. The past has a way of catching up, of dragging you back into the darkness. And as the city loomed on the horizon, Evelyn knew that her story was far from over. The road ahead was long and fraught with danger, but she was determined to face whatever came her way. She had no other choice.

From the timeless Noir collection

November 22nd, 2024

From the timeless Noir collection

The Essence of Mystery: From the Timeless Noir Collection. Original art by Bob Orsillo

Bob Orsillo's black-and-white photograph captures a moment steeped in mystery and intrigue, evoking the timeless allure of classic film noir. The image features a group of men, their backs turned to the viewer, each wearing trench coats and fedoras. This composition, with its strong contrasts and dramatic lighting, creates a scene that is both visually striking and emotionally evocative.

Composition and Lighting
The photograph's composition is meticulously crafted to draw the viewer's eye and evoke a sense of curiosity. The men are arranged in a line, their figures forming a uniform pattern that adds to the sense of anonymity and enigma. By turning their backs to the camera, Orsillo denies the viewer access to their identities, heightening the sense of mystery. This choice of positioning is a powerful narrative tool, suggesting that these men are part of a clandestine meeting or a secretive operation.

The lighting in the photograph is quintessentially noir. A single overhead light bulb casts a stark, focused beam, illuminating the men and creating deep shadows that stretch across the floor and walls. This high-contrast lighting emphasizes the textures of the trench coats and fedoras, adding depth and dimension to the scene. The interplay of light and shadow is a hallmark of film noir, a genre known for its exploration of moral ambiguity and the darker aspects of human nature.

Thematic Elements
Orsillo's photograph is rich with thematic elements that resonate with the conventions of noir. The trench coats and fedoras are iconic symbols of the genre, often associated with private detectives, gangsters, and other figures who operate in the shadows. These garments not only situate the image within a specific historical context but also contribute to the overall mood of secrecy and tension.

The decision to present the image in black and white further enhances its noir aesthetic. The absence of color strips the scene down to its essential elements, focusing the viewer's attention on the contrasts and compositions. Black and white photography is often used to convey a sense of timelessness and to highlight the emotional intensity of a scene. In this photograph, the monochromatic palette underscores the themes of mystery and intrigue, drawing the viewer into a world where every shadow holds a secret.

Emotional Impact
The emotional impact of Orsillo's photograph lies in its ability to evoke a sense of curiosity and suspense. The viewer is left to wonder about the identities of the men and the nature of their meeting. Are they conspirators plotting a heist, detectives on the trail of a criminal, or perhaps members of a secret society? The ambiguity of the scene invites the viewer to construct their own narrative, engaging their imagination and drawing them deeper into the world of the photograph.

The use of shadows and light not only creates a visually compelling image but also evokes a sense of foreboding. The stark lighting and deep shadows suggest that something significant is about to happen, or perhaps has already happened. This sense of anticipation is a key element of noir, where the line between right and wrong is often blurred, and the characters are driven by complex motivations.

Historical and Cultural Context
The attire of the men and the overall aesthetic of the photograph place it firmly within the mid-20th century, a period often associated with the golden age of film noir. This era, marked by post-war disillusionment and a fascination with crime and moral ambiguity, produced some of the most iconic works in the genre. Orsillo's photograph pays homage to this period, capturing the essence of noir while also creating a timeless piece of art.

The trench coats and fedoras worn by the men are not just fashion statements but cultural symbols. They evoke the image of the hard-boiled detective, a staple of noir fiction, who navigates a world of corruption and deceit with a cynical eye and a moral code of his own. These garments also suggest a certain level of sophistication and authority, hinting at the complex power dynamics at play within the scene.

Conclusion
Bob Orsillo's black-and-white photograph is a masterful exploration of mystery and intrigue, capturing the essence of classic film noir. Through its meticulous composition, dramatic lighting, and rich thematic elements, the image draws the viewer into a world of shadows and secrets. The photograph's ability to evoke curiosity and suspense, combined with its historical and cultural resonance, makes it a compelling and timeless piece of art.

In this image, Orsillo not only pays tribute to the noir genre but also invites the viewer to engage with the narrative possibilities it presents. The men in their trench coats and fedoras, standing with their backs turned, become symbols of the unknown, challenging the viewer to look beyond the surface and uncover the stories hidden within the shadows.

New Work BeeKeeper Collection

January 9th, 2023

New Work BeeKeeper Collection

The Beekeeper is a post-apocalyptic surrealistic collection of wall art paintings by Bob Orsillo. The collection contains three main subjects - the beekeeper, the bees, and honey. The environment is the subplot. The meaning of the paintings is up to interpretation. The titles are ambiguous intentionally.

Thematically, the paintings explore the relationship between humanity and nature, and the fragility of our ecosystem. The beekeeper is a symbol of the human race, while the bees represent the natural world. The honey is a metaphor for the sweetness of life, even in the face of disaster.

The Beekeeper is a powerful and thought-provoking collection of artwork that will leave you wondering long after you've left the gallery.
Artist Bob Orsillo

Copyright(c)Bob Orsillo All Rights Reserved.

Prints by American Artist Bob Orsillo

December 7th, 2020

Prints by American Artist Bob Orsillo

Thank you for your interest in the Art of Bob Orsillo


*Orders are printed and shipped by Fine Art America / Pixel.com.
If you have any questions about your order, you can call them any time at 877-807-5901.24 hours per day 7 days per week.


To contact Bob Orsillo's studio please use one of the following links.

**For information regarding image and video licensing Click Here.

***For general inquiries Click Here



Best regards!
Kay Jackson / Studio Manager
From The Studio of Bob Orsillo
orsillo.com and boborsillo.com

Fine Art Canvas Prints

November 14th, 2014

Fine Art Canvas Prints

Canvas Prints
Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).

All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Stretched canvas prints look beautiful with or without frames.

Original fine art paintings and photography by Bob Orsillo. Printing by Fine Art America.
Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints. We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

Framed Prints

November 14th, 2014

Framed Prints

Framed Prints

Fine Art America is one of the largest, most-respected custom framers in the world. We stock over 250 different frames which can be used to create museum-quality masterpieces from any print. All framed prints are assembled, packaged, and shipped by our expert framing staff within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails. Our wholesale buying power allows us to offer frame prices which are typically 25 - 40% less than retail frame shops.

Original fine art paintings and photography by Bob Orsillo. Printing and framing by Fine Art America

Fine Art Prints

November 14th, 2014

Fine Art Prints

Fine Art Prints
All prints ship in durable cardboard tubes.

Original fine art paintings and photography by Bob Orsillo. Printing by Fine Art America.
Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints. All of our prints are produced on state-of-the-art, professional-grade Epson printers.

We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color. Paper prints include a 1" white border around the image to allow for future framing and matting. Canvas prints include a 2.5" white border to allow for future stretching on stretcher bars.

Prints ship within 3 - 4 business days in durable cardboard tubes.

Acrylic Prints

November 14th, 2014

Acrylic Prints

About Acrylic Prints
Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic.

The image is the art - it doesn't get any cleaner than that!


Option #1 (Mounting Posts) - Attach your print to your wall with four aluminum mounting posts. The cylindrical cap of each mounting post can be removed, allowing you to thread a small screw along the center axis of the of post and into the wall. When you're finished, simply reattached each cap, and you're done. The mounting posts act as stand-offs and keep your print separated from the wall by 1". All of the required mounting hardware (i.e. posts, screws, and wall anchors) is included with your print. Click here for mounting details.


Option #2 (Hanging Wire) - With this option, your acrylic print is attached to a 1/4" thick black board which has a wooden frame and hanging wire attached to the back. There are no metal mounting posts at the corners. Simply put a nail in your wall, hang your print from the hanging wire, and you're done. Due to the thickness of the black board and mounting frame, your print is separated from the wall by 1.50" Click here for mounting details.

Original fine art paintings and photography by Bob Orsillo. Printing by Fine Art America.
All acrylic prints ship within 3 - 4 business days and arrive "ready to hang" with four aluminum mounting posts (Option #1) or hanging wire (Option #2).
The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results.
There are two different ways to mount your acrylic print.

Metal Prints

November 14th, 2014

Metal Prints

Metal Prints

Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum.
The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The wooden frame includes a hanging wire for easy mounting on your wall.

Original fine art paintings and photography by Bob Orsillo. Printing by Fine Art America.
All metal prints ship within 3 - 4 business days and arrive "ready to hang" with mounting hooks and nails.
Metal prints are extremely durable. They're lightweight. They won't bend, and they're water resistant.
The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.